Our friends at Billboard music compiled a track-by-track review of Adam Lambert’s upcoming album, “Trespassing.”

Adam performs at our Spring Fling at Six Flags New England May 26, with special guests Javier Colon and Jermaine Paul, winners of The Voice! Get your tickets at SixFlags.Com

1. Trespassing – A startling, stomping, altogether tremendous opening, in which Lambert snarls “Wait ’til you get a load of me” while strutting over a Pharrell Williams beat that Michael Jackson would have loved.

2. Cuckoo – Lambert leaps from MJ to Daft Punk, with a waterfall of synthesizers raining down upon his chest-thumping party plans. The line “Gonna get out of this straitjacket!” smacks of double entendre.

3. Shady – Robotic posing leads into some harmonized funk, as Lambert requests a ticket to the underground. Third straight track with killer production.

4. Never Close Our Eyes – The album’s first ballad? Nope. The emotional opening turns out to be a red herring for another supple Euro-dance anthem that recalls David Guetta’s most effective singles.

5. Kickin’ In – With its crazed synth intro segueing into another tightly wound, club-set banger, “Kickin’ In” becomes the front-runner for the song most likely to dazzle in Lambert’s live show.

6. Naked Love – It’s still uptempo, but “Naked Love” exhibits a tenderness missing from the previous tracks’ salacious come-ons. Perhaps it won’t be a single, but “Naked Love” is vital to “Trespassing’s” sense of balance.

7. Pop That Lock – “Tonight we burn it all!” Lambert professes before another cavalcade of percussive drops and piercing keystrokes cave in his voice. One of the album’s few whiffs.

8. Better Than I Know Myself – The logical sequel to “Whataya Want From Me,” the lead single retains its icy sheen months after it first hit airwaves, as Lambert exposes his most vulnerable tendencies in stirring fashion.

9. Broken English – A downright strange amalgamation of styles: Lambert hopscotches between R&B verses, massive pop hooks and dubstep twitches before seemingly free-falling in the bridge. It shouldn’t make sense, but the singer ties it together.

10. Underneath – A revealing, piano-driven ballad that ramps up into ‘epic’ mode as time elapses. Sadly, this would have packed more of a wallop if it had been uniformly bare throughout, as in its first minute.

11. Chokehold – The verses float freely and let Lambert muse on past relationship transgressions. The refrains carry an industrial quality, with a guitar speaking as severely as the vocalist. The listener gets to soak it all in, blissfully.

12. Outlaws of Love – “Everywhere we go, we’re looking for the sun/Nowhere to grow old, we’re always on the run,” Lambert laments, as he seemingly drags himself out of the club and stares bleary-eyed into the future. More than any other song here, “Outlaws” demonstrates Lambert’s impressive range — he can play the sober adult just as well as the carefree party-starter.


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